Une s\u00e9lection d’articles, critiques et couverture diverses du travail de compositeur de Maxime Goulet.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb26793″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.ledevoir.com\/culture\/musique\/845035\/critique-concert-fourmi-scarabee-cigale-podium-maxime-goulet\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n
– Atuvu.ca<\/b><\/a>, Daniel Raymond, 13 mars, 2026[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – Le Devoir<\/b><\/a>, Christophe Huss, 8 f\u00e9v., 2026[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/4″][vc_single_image image=\u00a0\u00bb26747″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.ledevoir.com\/culture\/musique\/954543\/maxime-goulet-honore-prix-opus\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/4″][vc_single_image image=\u00a0\u00bb26749″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.ledevoir.com\/culture\/musique\/954543\/maxime-goulet-honore-prix-opus\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb26274″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.ledevoir.com\/culture\/musique\/845035\/critique-concert-fourmi-scarabee-cigale-podium-maxime-goulet\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – Le Devoir<\/b><\/a>, Christophe Huss, 16 f\u00e9v., 2025[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – Le Devoir<\/b><\/a>, Christophe Huss, 15 f\u00e9v., 2025[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb26271″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.ledevoir.com\/culture\/musique\/844162\/maxime-goulet-compositeur-entrepreneur\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb26268″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.journaldemontreal.com\/2025\/02\/15\/un-bal-pour-les-enfants-et-toutes-sortes-dinsectes-a-losm-ce-dimanche\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – Journal de Montr\u00e9al<\/b><\/a>, Sarah-\u00c9milie Nault, 15 f\u00e9v., 2025[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – Ludwig van Toronto<\/strong><\/a>, Anya Wassenberg, 25 mars, 2024[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb26454″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.ludwig-van.com\/toronto\/2024\/03\/25\/scoop-classical-music-junos-2024-showcase-depth-genre\/\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1739909658984{background-color: #ffffff !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb25640″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/mountainlake.org\/fire-and-ice-the-orchestre-classique-de-montreal-concludes-their-83rd-season-in-grandiose-manner-at-la-maison-symphonique\/\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – Mountain Lake PBS<\/strong><\/a>, Genevi\u00e8ve PM Roy, 26 juin, 2023[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1739909658984{background-color: #ffffff !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – Ludwig van Montr\u00e9al<\/a><\/strong>, Caroline Rodgers, 22 juin 2023[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb26210″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.ludwig-van.com\/montreal\/2023\/06\/22\/critique-une-fin-de-saison-remarquable-pour-lorchestre-classique-de-montreal\/\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1739909658984{background-color: #ffffff !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb22142″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.ledevoir.com\/culture\/musique\/793373\/l-heureuse-tempete-de-l-ocm\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – Le Devoir<\/b><\/a>, Christophe Huss, 21 juin, 2023[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – La Scena Musicale<\/b><\/a>, Zenith Wolfe, Feb. 18, 2023[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb24866″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/myscena.org\/fr\/zenith-wolfe\/cd-review-symphonie-de-la-tempete-de-verglas-atma-classique-2023\/\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb25477″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.ledevoir.com\/culture\/musique\/779411\/classique-symphonie-de-la-tempete-de-verglas-maxime-goulet\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – Le Devoir<\/strong><\/a>, Christophe Huss, 27 jan., 2023[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – Le Devoir<\/strong><\/a>, Caroline Monpetit, 21 mai, 2020[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb26193″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.ledevoir.com\/culture\/musique\/579311\/musique-la-meteo-selon-maxime-goulet\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb24462″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.broadwayworld.com\/bwwopera\/article\/THE-FLIGHT-OF-THE-HUMMINGBIRD-An-Opera-For-Children-Streaming-Beginning-May-19-20200513″][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – Broadway World<\/b><\/a>, A.A. Cristi, 13 mai, 2020[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – L’Op\u00e9ra<\/strong><\/a>, \u00c9ric Champagne, automne 2020[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb26186″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.revuelopera.quebec\/\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb26253″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.ludwig-van.com\/montreal\/2018\/11\/19\/lartiste-de-la-semaine-maxime-goulet-limagination-debordante-dun-compositeur-jeux-video\/\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – Ludwig van Montr\u00e9al<\/b><\/a>, Caroline Rodgers, 19 nov., 2018[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – HoustonChronicle<\/strong><\/a>, Lawrence Elizabeth Knox, 19 sept., 2018[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb23837″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.houstonchronicle.com\/entertainment\/music\/article\/ROCO-brings-music-to-the-famous-Deep-Blue-13239646.php\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb26241″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.ledevoir.com\/culture\/musique\/509347\/critique-concert-une-exaltante-experience-orchestrale-et-visuelle\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – Le Devoir<\/strong><\/a>, Christophe Huss, 30 sept., 2017[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\n – Le Devoir<\/strong><\/a>, Christophe Huss, 26 f\u00e9v., 2014[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb22172″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.ledevoir.com\/culture\/musique\/401158\/concertsclassiques-bricolage\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_separator][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb22161″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/www.ledevoir.com\/culture\/musique\/399972\/chocolats-symphoniques\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]\nMaxime Goulet honor\u00e9 par les prix Opus<\/em><\/h3>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0Les 29es prix Opus, visant \u00e0 r\u00e9compenser les r\u00e9alisations musicales marquantes de la saison, ont \u00e9t\u00e9 d\u00e9cern\u00e9s dimanche par le Conseil qu\u00e9b\u00e9cois de la musique lors d\u2019une c\u00e9r\u00e9monie \u00e0 la salle Bourgie. Ils ont notamment sacr\u00e9 Maxime Goulet compositeur de l\u2019ann\u00e9e<\/em><\/h6>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
[…] Dernier doubl\u00e9, celui de Maxime Goulet, le compositeur de l\u2019ann\u00e9e, \u00e9galement honor\u00e9 pour la \u00ab Production jeune public \u00bb avec son Carnaval des insectes<\/a>.<\/em>\u00ab\u00a0<\/em><\/h6>\n
Fourmi, scarab\u00e9e et cigale sur le podium de Maxime Goulet<\/em><\/h3>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0Si la v\u00e9rit\u00e9 sort de la bouche des enfants, croyez-en ma petite-fille lorsqu\u2019au moment de l\u2019\u00e9pisode du scarab\u00e9e hercule, elle s\u2019exclame : \u00ab L\u00e0, \u00e7a joue pour vrai ! \u00bb C\u2019est une caract\u00e9ristique que l\u2019on remarque assez facilement: plus le morceau est spectaculaire et richement orchestr\u00e9, plus il est f\u00eat\u00e9; la fourmi, avec son th\u00e8me martial \u00e0 la trompette et caisse claire, arrivant assur\u00e9ment sur le podium. […] \u00c0 entendre les diff\u00e9rentes explorations <\/em>[de l’oeuvre Le Carnaval des insectes<\/a>]<\/em>, on comprend Maxime Goulet lorsqu\u2019il nous d\u00e9clarait que de trouver les associations animaux-instruments l\u2019avait beaucoup amus\u00e9. D\u2019ailleurs, l\u2019humour est tr\u00e8s pr\u00e9sent, avec la mouche, o\u00f9 Rafael Payare sort son tue-mouche (mais rate l\u2019insecte plusieurs fois), et le moustique, o\u00f9 le chef fait semblant d\u2019avoir \u00e9t\u00e9 piqu\u00e9. […] Toutes ces vignettes sont r\u00e9alis\u00e9es avec esprit et savoir-faire.\u00a0\u00bb<\/em><\/h6>\n
Maxime Goulet, compositeur entrepreneur<\/em><\/h3>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0Dimanche, l\u2019Orchestre symphonique de Montr\u00e9al (OSM) cr\u00e9era<\/em>\u00a0Le Carnaval des insectes<\/a><\/em>, sa premi\u00e8re commande \u00e0 Maxime Goulet. Apr\u00e8s son prix Juno pour la Symphonie de la temp\u00eate de verglas remport\u00e9 en 2024, le prolixe compositeur est d\u00e9sormais sur des rails solides. […] Cela fait bien plus de dix ans que nous avons remarqu\u00e9 le talent singulier de Maxime Goulet. […] Au d\u00e9but de l\u2019ann\u00e9e 2023, Maxime Goulet nous \u00e9tonnait avec sa Symphonie de la temp\u00eate de verglas. L\u2019enregistrement dirig\u00e9 par Jacques Lacombe \u00e9tait paru pour le 25e anniversaire de l\u2019\u00e9v\u00e9nement. \u00ab Disque patrimonial important \u00bb, avions nous \u00e9crit pour cette symphonie que nous placions dans la lign\u00e9e de Jacques H\u00e9tu.\u00a0\u00bb<\/em><\/h6>\n
Un bal pour les enfants et… toutes sortes d\u2019insectes \u00e0 l\u2019OSM!<\/em><\/h3>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0Maxime Goulet a eu un plaisir fou \u00e0 composer son <\/em>oeuvre Le Carnaval des insectes<\/a><\/em>. Papa d\u2019une petite puce de deux ans, il s\u2019est imagin\u00e9 lui faire d\u00e9couvrir les diff\u00e9rents instruments constituant un orchestre \u00e0 travers les insectes. […] Son Carnaval des insectes se veut un clin d\u2019\u0153il au Carnaval des animaux et \u00e0 Pierre et le loup, des pi\u00e8ces souvent utilis\u00e9es pour initier les jeunes \u00e0 la musique classique. […] Ces courts mouvements seront entrecoup\u00e9s par des prestations d\u2019acteurs et des projections d\u2019insectes, dont certains sont moins connus des enfants. Le tout dans une mise en sc\u00e8ne color\u00e9e qui plaira aux petits comme \u00e0 leurs parents.\u00a0\u00bb<\/em><\/h6>\n
Classical Music JUNOs For 2024 Showcase Depth Of The Genre<\/em><\/h3>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0CLASSICAL ALBUM OF THE YEAR, LARGE ENSEMBLE: Orchestre Classique de Montr\u00e9al, Jacques Lacombe, conductor | Maxime Goulet: Symphonie de la temp\u00eate de verglas.<\/em><\/h6>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
The Symphonie de la temp\u00eate de verglas<\/a> (Ice Storm Symphony) is a substantial work of 40 minutes that defies easy categorization. The OCM and Jacques Lacombe are fully committed in their rendition of the evocative and emotionally colourful score.\u00a0\u00bb<\/em><\/h6>\n
FIRE and ICE: The Orchestre Classique de Montreal Concludes their Season in Grandiose manner!<\/em><\/h3>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0<\/em>Goulet\u2019s intricate and emotive piece [Symphonie de la temp\u00eate de verglas<\/a>] enraptured the audience, setting the stage for a mesmerizing musical journey in four movements. The composition begins with the haunting but gentle pattering of ice pellets that announces the storm that is brewing\u2026 As the music progresses, the orchestra\u2019s intensity grows, mirroring the escalating ferocity of the ice storm. […] The composition masterfully conveys the overwhelming power and destructive force of nature, leaving listeners captivated by its sheer magnitude. […] Maxime Goulet\u2019s glorious musical tribute to the 1998 Ice Storm, stands as a testament to the power of art in conveying the human experience.<\/em>.\u00a0\u00bb<\/em><\/h6>\n
Une fin de saison remarquable pour l’Orchestre classique de Montr\u00e9al<\/em><\/h3>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0<\/em>[Maxime Goulet] s\u2019est surpass\u00e9. <\/em>[…] <\/em>Le traitement du mat\u00e9riau orchestral, les textures cr\u00e9\u00e9es par la superposition de diff\u00e9rents timbres, l\u2019arc de d\u00e9veloppement de chaque mouvement, le dosage dynamique, la coh\u00e9rence des id\u00e9es, tout cela d\u00e9montre que le compositeur a atteint une maturit\u00e9 et s\u2019autorise \u00e0 d\u00e9ployer sa cr\u00e9ativit\u00e9, \u00e0 approfondir davantage ses id\u00e9es, prouvant ainsi de quoi il est capable. […] l<\/em>a conception et les id\u00e9es d\u00e9velopp\u00e9es par dans <\/em>Symphonie de la temp\u00eate de verglas<\/a> <\/em>en font une oeuvre dot\u00e9e d\u2019un int\u00e9r\u00eat musical intrins\u00e8que qui va bien au-del\u00e0 de la narration qu\u2019elle propose.\u00a0\u00bb<\/em><\/h6>\n
Une fin de saison remarquable pour l’Orchestre classique de Montr\u00e9al<\/em><\/h3>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0[Dans <\/em>Symphonie de la temp\u00eate de verglas<\/a>,] l<\/em>a musique va droit au but avec \u00e9loquence dans les effets sonores et succ\u00e8s dans les m\u00e9lodies. Le 2e mouvement \u00ab Chaleur \u00bb, qui traite de la g\u00e9n\u00e9rosit\u00e9 du peuple qu\u00e9b\u00e9cois, avec ses rythmes folkloriques, a \u00e9t\u00e9 spontan\u00e9ment applaudi. Nous avons soulign\u00e9 la qualit\u00e9 de l\u2019oeuvre qui prend en quelque sorte la rel\u00e8ve de Jacques H\u00e9tu dans notre constitution de musique patrimoniale, lors de la parution du CD chez ATMA. La cr\u00e9ation mondiale en concert a obtenu un vif succ\u00e8s et, oui, cette symphonie est entr\u00e9e directement dans notre patrimoine.\u00a0\u00bb<\/em><\/h6>\n
CD Review | Symphonie de la temp\u00eate de verglas<\/em><\/h3>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u2605\u2605<\/em>\u2605<\/em>\u2605\u2605<\/em><\/h6>\n
\u00ab\u00a0The terrifying beauty of this natural disaster is brilliantly illustrated in the first movement of Ice Storm Symphony<\/a>, Turmoil, with surging violin strings and thunderous timpani heralding the arrival of clouds, wind, and storm. Canadians came together during this time of crisis, as reflected in the folk-like woodwind melodies woven into the otherwise dramatic themes. The length, intensity, and rhythmic progression of the movements perfectly capture Canada\u2019s resilience in the face of such a monumental event, making the moments of mourning and solace deeply powerful. Light\u00a0concludes the symphony with triumphant trumpets and shimmering violin flourishes\u2014this is the orchestra at its finest.\u00a0\u00bb<\/em><\/h6>\n
\u00abSymphonie de la temp\u00eate de verglas\u00bb, Maxime Goulet<\/em><\/h3>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u2605\u2605\u2605\u2605 1\/2<\/em><\/h6>\n
\u00ab\u00a0<\/em>[Symphonie de la temp\u00eate de verglas<\/a>:] v<\/em>oici sa premi\u00e8re \u00ab vraie symphonie \u00bb de 40 minutes. Et le projet est majeur, car Maxime Goulet s\u2019inscrit tr\u00e8s clairement en continuateur de la veine de Jacques H\u00e9tu (5e Symphonie, Sur les rives du Saint-Maurice), avec une musique picturale (adagio \u00ab Noirceur \u00bb), fort bien \u00e9crite (l\u2019\u00e9vocation sonore de la pluie et du verglas, puis la coda de \u00ab Tourmente \u00bb), qui ne peut venir que d\u2019ici (deuxi\u00e8me mouvement \u00ab Chaleur \u00bb), tout en d\u00e9gageant un parfum nord-am\u00e9ricain dans les contours tr\u00e8s John Adams du finale. Disque patrimonial important, enrichi de deux autres belles compositions : Toute une journ\u00e9e<\/a> et Histoire de p\u00eache<\/a>.\u00a0\u00bb<\/em><\/h6>\n
Les \u00e9claircies p\u00e9otiques de Maxime Goulet<\/em><\/h3>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0Depuis le d\u00e9but du confinement, Maxime Goulet, jamais en reste d\u2019id\u00e9es cr\u00e9atives, compose, de son quartier de Saint-Henri, des micro-pi\u00e8ces de musique de 30 secondes, pour t\u00e9nor et piano, sur des po\u00e8mes, presque des ha\u00efkus, m\u00e9t\u00e9orologiques. Toute sa Micro m\u00e9t\u00e9o<\/a> est offerte gratuitement sur YouTube. <\/em>[…] La formule s\u2019arrime aussi parfaitement aux r\u00e9seaux sociaux, parce qu\u2019ils ne demandent qu\u2019un bref temps d\u2019attention.\u00a0\u00bb<\/em><\/h6>\n
THE FLIGHT OF THE HUMMINGBIRD, An Opera For Children<\/em><\/h3>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0Flight of the Hummingbird<\/a>, an extraordinary opera for young audience composed by Maxime Goulet, on a libretto by Haida artist Michael Nicoll Yahgulanaas and Barry Gilson. […] It was an instant success and many presentations were scheduled, starting with 120 concerts across British Columbia. […] Based on the book Flight of the Hummingbird – A Parable for the Environment, written and illustrated by Haida artist Michael Nicoll Yahgulanaas, the Opera is a call to action positioned in the context of climate change. In it, the animals of the forest are inspired to come together by Dukdukdiya, the Hummingbird, to save their beautiful home from a raging fire.\u00a0\u00bb<\/em><\/h6>\n
Maxime Goulet et le colibri<\/em><\/h3>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0Le compositeur qu\u00e9b\u00e9cois Maxime Goulet s\u2019\u00e9tait d\u00e9j\u00e0 attel\u00e9 \u00e0 l\u2019op\u00e9ra avec Bungalopolis<\/a> (2010), un projet iconoclaste puisqu\u2019il s\u2019agissait d\u2019un \u00abop\u00e9ra-cabaret \u00e0 sketches\u00bb, dont la musique \u00e9tait confi\u00e9e \u00e0 cinq compositeurs, sur un livret inspir\u00e9 d\u2019une bande dessin\u00e9e de Jean-Paul Eid. Loin d\u2019\u00eatre destin\u00e9e aux enfants, l\u2019\u0153uvre par son type d\u2019humour s\u2019adressait plut\u00f4t aux \u00abadulescents\u00bb ! En janvier 2020, Maxime Goulet pr\u00e9sentait The Flight of the Hummingbird<\/a>, un op\u00e9ra environnementaliste pour les jeunes d\u2019aujourd\u2019hui (et cette fois-ci, il en est l\u2019unique compositeur !).\u00a0\u00bb<\/em><\/h6>\n
L’ARTISTE DE LA SEMAINE | Maxime Goulet: l’imagination d\u00e9bordante d’un compositeur, au del\u00e0 des jeux vid\u00e9o<\/em><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0S\u2019il est connu avant tout pour sa musique de jeu vid\u00e9o<\/a>, notre artiste de la semaine, Maxime Goulet, a bien d\u2019autres tours dans son sac. […] Un artiste qui d\u00e9borde d\u2019imagination, toujours en qu\u00eate d\u2019id\u00e9es qui sortent des sentiers battus. […] Il fait sa place dans le monde musical \u00e0 coup de concepts astucieux qui s\u00e9duisent les orchestres et leur public.\u00a0\u00bb<\/em><\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
ROCO brings music to the famous \u2018Deep Blue\u2019 chess match<\/em><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0[In the work Checkmate!<\/a>,] River Oaks Chamber Orchestra will battle one of its own this weekend in a rather innovative game of chess. Composer Maxime Goulet has adapted the legendary 1997 match, in which IBM\u2019s Deep Blue computer defeated former world chess champion Garry Kasparov, into a chess match between the 40-piece ensemble and Sacramento-based pianist Lara Downes. While the orchestra\u2019s part is based on the moves of the victorious computer with the white pieces, the pianist\u2019s part is based on those made by Kasparov with the black pieces.\u00a0\u00bb<\/em><\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
Une exaltante expe\u0301rience orchestrale et visuelle<\/em><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0L\u2019id\u00e9e [de la Symphonie du jeu vid\u00e9o de Montr\u00e9al<\/a>] \u00e9tait excellente de rendre hommage au foisonnement cr\u00e9atif montr\u00e9alais de l\u2019univers du jeu vid\u00e9o. […] Bravo donc \u00e0 Maxime Goulet pour l\u2019id\u00e9e. Double bravo \u00e0 Maxime Goulet et Benoit Groulx pour la s\u00e9lection, l\u2019agencement et la r\u00e9alisation orchestrale et chorale. […] La rencontre entre l\u2019univers du jeu vid\u00e9o et l\u2019orchestre symphonique s\u2019est formidablement bien pass\u00e9e, avec non seulement d\u2019excellents arrangements, mais aussi des medleys astucieux. […] Goulet voulait illustrer la diversit\u00e9 : ce fut fait. Les deux moments o\u00f9 l\u2019orchestre interagissait avec des joueurs en direct ont tr\u00e8s bien fonctionn\u00e9. [Lors de Jeux de ballon de plage pour orchestre<\/a>,] le public du parterre a m\u00eame particip\u00e9 collectivement et jou\u00e9 avec un ballon g\u00e9ant dans une ambiance bon enfant.\u00a0\u00bb<\/em><\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
Histoire de p\u00eache<\/em><\/h3>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0Le plus original de la soir\u00e9e fut la cr\u00e9ation de Maxime Goulet [Histoire de p\u00eache<\/a>]. Dipl\u00f4m\u00e9 de l\u2019Universit\u00e9 de Montr\u00e9al reconverti dans la cr\u00e9ation de musiques de jeux vid\u00e9os, Goulet a, une nouvelle fois, d\u00e9montr\u00e9 qu\u2019il n\u2019avait peur ni de la m\u00e9lodie, ni de la narration musicale. En cerise sur le g\u00e2teau, le clarinettiste Kornel Wolak se faisait acteur, dans une pi\u00e8ce habilement sc\u00e9naris\u00e9e.\u00a0\u00bb<\/em><\/h6>\n
Chocolats symphoniques<\/em><\/h3>\n[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]\n
\u00ab\u00a0Le compositeur Maxime Goulet s\u2019est associ\u00e9 \u00e0 Genevi\u00e8ve Grandbois pour cr\u00e9er\u00a0Chocolats symphoniques<\/a>, quatre mouvements orchestraux \u00e0 \u00e9couter en d\u00e9gustant des chocolats assortis! L\u2019id\u00e9e pour le moins originale est soutenue par une musique habile, imm\u00e9diatement plaisante, tr\u00e8s cin\u00e9matographique<\/em>\u00ab\u00a0, dans la lign\u00e9e de la musique l\u00e9g\u00e8re. Le disque est vendu avec la bo\u00eete m\u00e9tallique de quatre bouch\u00e9es.\u00a0\u00bb<\/em><\/h6>\n