{"id":26305,"date":"2025-02-20T19:09:47","date_gmt":"2025-02-20T19:09:47","guid":{"rendered":"http:\/\/maximegoulet.com\/?page_id=26305"},"modified":"2025-02-20T19:45:24","modified_gmt":"2025-02-20T19:45:24","slug":"entrevues-et-reportages","status":"publish","type":"page","link":"https:\/\/maximegoulet.com\/fr\/entrevues-et-reportages\/","title":{"rendered":"Entrevues et reportages"},"content":{"rendered":"[vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_column_text css=\u00a0\u00bb.vc_custom_1740076350082{padding-top: 25px !important;padding-right: 25px !important;padding-bottom: 25px !important;padding-left: 25px !important;background-color: #f1f1f1 !important;}\u00a0\u00bb]\n

Entrevues et reportages<\/h2>\n

Entrevues, reportages, pr\u00e9sentations et divers vid\u00e9o \u00e0 propos du travail de compositeur de Maxime Goulet.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495674796399{border-right-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-right-color: #ffffff !important;border-right-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/youtu.be\/zhxwDbj0h1Q\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1712258348811{padding-bottom: 0px !important;}\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1712256835234{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

L’album \u00ab\u00a0Maxime Goulet: Symphonie de la temp\u00eate de verglas<\/a>\u00a0\u00bb <\/em>de l’Orchestre classique de Montr\u00e9al<\/a> et Jacques Lacombe reporte le Juno pour le meilleur album classique de l’ann\u00e9e (grand ensemble), le 23 mars, 2024<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674816803{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495671853248{border-left-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-left-color: #ffffff !important;border-left-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=hZ7Q9T6hlzo\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1712256891284{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet \u00e0 City News \u00e0 propos du prix Juno pour le meilleur album classique de l’ann\u00e9e (grand ensemble) et l’oeuvre Symphonie de la temp\u00eate de verglas<\/a>, le 24 mars, 2024.<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674856689{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495674796399{border-right-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-right-color: #ffffff !important;border-right-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=4Owz93hjZ08″ css=\u00a0\u00bb.vc_custom_1712256593054{padding-bottom: 0px !important;}\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1712256909977{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet \u00e0 MaximoTV \u00e0 propos du prix Juno pour le meilleur album classique de l’ann\u00e9e (grand ensemble) et l’oeuvre Symphonie de la temp\u00eate de verglas<\/a>, le 24 mars, 2024<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674816803{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495671853248{border-left-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-left-color: #ffffff !important;border-left-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=F95o2fKNIrg\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1617112312950{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet \u00e0 propos de sa Symphonie de la temp\u00eate du verglas<\/a>. Katerine Verebely, 29 mars, 2021<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674856689{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495671820337{border-right-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-right-color: #ffffff !important;border-right-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/youtu.be\/g6jgdggC7zk\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1712256723784{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet \u00e0 propos de Symphonie de la temp\u00eate de verglas<\/a>. M\u00e9t\u00e9o M\u00e9dia, 20 janvier, 2021<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674887686{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1602273774483{border-left-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-left-color: #ffffff !important;border-left-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/youtu.be\/qUkgxh59F2Q\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1712256712058{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet \u00e0 propos de Symphonie de la temp\u00eate de verglas<\/a>. Global News, 5 janvier, 2021<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674887686{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495671820337{border-right-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-right-color: #ffffff !important;border-right-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=GLPk6q46u1A&feature=youtu.be\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1602274469548{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet \u00e0 propos de Chocolats symphonique<\/a>\u00a0et de sa musique pour jeu vid\u00e9o. Robert Franz, Orchestre symphonique de Windsor<\/a>, 7 octobre, 2020<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674887686{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1617112215792{border-left-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-left-color: #ffffff !important;border-left-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=KbcxBjoLeo4″][vc_column_text css=\u00a0\u00bb.vc_custom_1602274915272{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet \u00e0 propos de sa carri\u00e8re de compositeur de musique de jeu vid\u00e9o. Adrian Ellis, The Screen Composers Studio, 8 septembre, 2020.<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674901439{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495671820337{border-right-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-right-color: #ffffff !important;border-right-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/youtu.be\/YbE7zeOnvJU\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1595034756453{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet \u00e0 propos de\u00a0cycle de m\u00e9lodies Micro m\u00e9t\u00e9o<\/a>. M\u00e9t\u00e9o M\u00e9dia, 6 juillet, 2020<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674887686{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1712775466708{border-left-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-left-color: #ffffff !important;border-left-style: solid !important;}\u00a0\u00bb][vc_raw_html css=\u00a0\u00bb.vc_custom_1740077644999{border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}\u00a0\u00bb]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjIxMDAlMjUlMjIlMjBoZWlnaHQlM0QlMjIxNjYlMjIlMjBzY3JvbGxpbmclM0QlMjJubyUyMiUyMGZyYW1lYm9yZGVyJTNEJTIybm8lMjIlMjBhbGxvdyUzRCUyMmF1dG9wbGF5JTIyJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZ3LnNvdW5kY2xvdWQuY29tJTJGcGxheWVyJTJGJTNGdXJsJTNEaHR0cHMlMjUzQSUyRiUyRmFwaS5zb3VuZGNsb3VkLmNvbSUyRnRyYWNrcyUyRjgyMzQxOTcyNyUyNmNvbG9yJTNEJTI1MjNmZjU1MDAlMjZhdXRvX3BsYXklM0RmYWxzZSUyNmhpZGVfcmVsYXRlZCUzRGZhbHNlJTI2c2hvd19jb21tZW50cyUzRGZhbHNlJTI2c2hvd191c2VyJTNEZmFsc2UlMjZzaG93X3JlcG9zdHMlM0RmYWxzZSUyNnNob3dfdGVhc2VyJTNEZmFsc2UlMjIlM0UlM0MlMkZpZnJhbWUlM0UlM0NkaXYlMjBzdHlsZSUzRCUyMmZvbnQtc2l6ZSUzQSUyMDEwcHglM0IlMjBjb2xvciUzQSUyMCUyM2NjY2NjYyUzQmxpbmUtYnJlYWslM0ElMjBhbnl3aGVyZSUzQndvcmQtYnJlYWslM0ElMjBub3JtYWwlM0JvdmVyZmxvdyUzQSUyMGhpZGRlbiUzQndoaXRlLXNwYWNlJTNBJTIwbm93cmFwJTNCdGV4dC1vdmVyZmxvdyUzQSUyMGVsbGlwc2lzJTNCJTIwZm9udC1mYW1pbHklM0ElMjBJbnRlcnN0YXRlJTJDTHVjaWRhJTIwR3JhbmRlJTJDTHVjaWRhJTIwU2FucyUyMFVuaWNvZGUlMkNMdWNpZGElMjBTYW5zJTJDR2FydWRhJTJDVmVyZGFuYSUyQ1RhaG9tYSUyQ3NhbnMtc2VyaWYlM0Jmb250LXdlaWdodCUzQSUyMDEwMCUzQiUyMiUzRSUzQ2ElMjBocmVmJTNEJTIyaHR0cHMlM0ElMkYlMkZzb3VuZGNsb3VkLmNvbSUyRmN1bHR1cmVjaWJsZSUyMiUyMHRpdGxlJTNEJTIyTGElMjBTZW50aW5lbGxlJTIwJTVCcyVDMyVBOXJpZSUyMGJhbGFkbyU1RCUyMiUyMHRhcmdldCUzRCUyMl9ibGFuayUyMiUyMHN0eWxlJTNEJTIyY29sb3IlM0ElMjAlMjNjY2NjY2MlM0IlMjB0ZXh0LWRlY29yYXRpb24lM0ElMjBub25lJTNCJTIyJTNFTGElMjBTZW50aW5lbGxlJTIwJTVCcyVDMyVBOXJpZSUyMGJhbGFkbyU1RCUzQyUyRmElM0UlMjAlQzIlQjclMjAlM0NhJTIwaHJlZiUzRCUyMmh0dHBzJTNBJTJGJTJGc291bmRjbG91ZC5jb20lMkZjdWx0dXJlY2libGUlMkZlcDI1LW1ldGVvLXBvZXNpZS1ldC1tdXNpcXVlLWF2ZWMtbWF4aW1lLWdvdWxldC1sYS1zZW50aW5lbGxlJTIyJTIwdGl0bGUlM0QlMjJFUDI1JTIwLSUyME0lQzMlQTl0JUMzJUE5byUyQyUyMHBvJUMzJUE5c2llJTIwZXQlMjBtdXNpcXVlJTIwYXZlYyUyME1heGltZSUyMEdvdWxldCUyMCU3QyUyMExhJTIwU2VudGluZWxsZSUyMiUyMHRhcmdldCUzRCUyMl9ibGFuayUyMiUyMHN0eWxlJTNEJTIyY29sb3IlM0ElMjAlMjNjY2NjY2MlM0IlMjB0ZXh0LWRlY29yYXRpb24lM0ElMjBub25lJTNCJTIyJTNFRVAyNSUyMC0lMjBNJUMzJUE5dCVDMyVBOW8lMkMlMjBwbyVDMyVBOXNpZSUyMGV0JTIwbXVzaXF1ZSUyMGF2ZWMlMjBNYXhpbWUlMjBHb3VsZXQlMjAlN0MlMjBMYSUyMFNlbnRpbmVsbGUlM0MlMkZhJTNFJTNDJTJGZGl2JTNF[\/vc_raw_html][vc_column_text css=\u00a0\u00bb.vc_custom_1591649721870{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet \u00e0 propos de son cycle de m\u00e9lodie Micro m\u00e9t\u00e9o<\/a>.\u00a0La Sentinelle, 19 mai, 2020<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674887686{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495671820337{border-right-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-right-color: #ffffff !important;border-right-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=kuplbydC9Uc\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1712775561921{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;background-color: #f1f1f1 !important;}\u00a0\u00bb]\n

Le compositeur Maxime Goulet partage ses id\u00e9es sur la fa\u00e7on dont les orchestres peuvent maximiser leur collaboration avec un compositeur pour attirer de nouveaux publics. 6 f\u00e9v. 2020<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674887686{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1712775466708{border-left-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-left-color: #ffffff !important;border-left-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=2fBv4nfGnLQ&feature=youtu.be\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1576606734813{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet \u00e0 propos de\u00a0son oeuvre Chocolats Symphoniques<\/a>. Canal Alpha (Suisse), 5 novembre, 2019<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674887686{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495674796399{border-right-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-right-color: #ffffff !important;border-right-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=SXi1YVkix48&feature=youtu.be\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1544474470173{padding-bottom: 0px !important;}\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1544474498172{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec\u00a0Maxime Goulet<\/a>\u00a0et\u00a0Dina Gilbert<\/a>\u00a0\u00e0 propos\u00a0de la\u00a0Symphonie du jeu vid\u00e9o<\/a>,\u00a0par l\u2019Orchestre symphonique de Qu\u00e9bec<\/a>. ICI Radio-Canada, 21 nov. 2018<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674816803{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495671853248{border-left-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-left-color: #ffffff !important;border-left-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=Nhg-YO_lPnU&feature=youtu.be\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1544474538441{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec\u00a0Maxime Goulet<\/a>\u00a0et\u00a0St\u00e9phanie Harvey<\/a>\u00a0\u00e0 propos\u00a0de la\u00a0Symphonie du jeu vid\u00e9o<\/a>,\u00a0par l\u2019Orchestre symphonique de Qu\u00e9bec<\/a>. ICI Radio-Canada, 1er nov. 2018<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674856689{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495674796399{border-right-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-right-color: #ffffff !important;border-right-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=eM2GELYp3dQ&feature=youtu.be\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1544474567529{padding-bottom: 0px !important;}\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1544474844668{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

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Entrevue avec\u00a0Maxime Goulet<\/a>\u00a0et\u00a0St\u00e9phanie Harvey<\/a>\u00a0\u00e0 propos\u00a0de la\u00a0Symphonie du jeu vid\u00e9o<\/a>,\u00a0par l\u2019Orchestre symphonique de Qu\u00e9bec<\/a>. Le Soleil, 1er nov. 2018<\/p>\n<\/div>\n<\/div>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674816803{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495671853248{border-left-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-left-color: #ffffff !important;border-left-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=MyRBx2bDD7w\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522366397589{padding-bottom: 0px !important;}\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1522366493946{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet\u00a0\u00e0 propos\u00a0de la\u00a0Symphonie du jeu vid\u00e9o<\/a>, avec l’Orchestre symphonique de Qu\u00e9bec<\/a>. ICI Radio-Canada, 27 mars, 2018<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674856689{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495674796399{border-right-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-right-color: #ffffff !important;border-right-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=2Zi6Rt2Hkuc\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1522676919991{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

\u00a0Entrevue avec Maxime Goulet et la chef\u00a0Dina Gilbert<\/a>\u00a0\u00e0 propos\u00a0de la\u00a0Symphonie du jeu vid\u00e9o de Montr\u00e9al<\/a>, pour le\u00a0375e Anniversaire de la ville de Montr\u00e9al<\/a>. Radio-Canada, 29 septembre, 2017<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674816803{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1544474967292{border-left-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-left-color: #ffffff !important;border-left-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=0vTOoW7KBow\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1509129183630{padding-bottom: 0px !important;}\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1509129328789{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet et la chef\u00a0Dina Gilbert<\/a>\u00a0\u00e0 propos\u00a0de la\u00a0Symphonie du jeu vid\u00e9o de Montr\u00e9al<\/a>, pour le\u00a0375e Anniversaire de la ville de Montr\u00e9al<\/a>. TVA, 28 septembre, 2017<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674856689{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495674796399{border-right-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-right-color: #ffffff !important;border-right-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=xfVHFmEN5jU\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1509129319756{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet\u00a0\u00e0 propos\u00a0de la\u00a0Symphonie du jeu vid\u00e9o de Montr\u00e9al<\/a>, pour le\u00a0375e Anniversaire de la ville de Montr\u00e9al<\/a>. Global News, 27 septembre, 2017<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674816803{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495671853248{border-left-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-left-color: #ffffff !important;border-left-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=YQB3R72DOso\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1495674728096{padding-bottom: 0px !important;}\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1495806949038{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet \u00e0 propos de\u00a0son oeuvre Hymnes Unis<\/a>.\u00a0Global News, 24 avril, 2017<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674856689{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495671820337{border-right-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-right-color: #ffffff !important;border-right-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=m3ANWaO4qt4″][vc_column_text css=\u00a0\u00bb.vc_custom_1495807001696{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet \u00e0 propos de\u00a0son oeuvre Chocolats Symphoniques<\/a>. France 3, 28 mars, 2017<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674887686{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1497826900609{border-left-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-left-color: #ffffff !important;border-left-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=Py6SEqn_KCE\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1740077544848{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Maxime Goulet pr\u00e9sente son projet de Symphonie du jeu vid\u00e9o de Montr\u00e9al<\/a> avec la chef Dina Gilbert<\/a>, pour le 375e Anniversaire de la ville de Montr\u00e9al<\/a>. 17 juin, 2016.<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674901439{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495674796399{border-right-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-right-color: #ffffff !important;border-right-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=hEO4sd90s74″ css=\u00a0\u00bb.vc_custom_1495675037561{padding-bottom: 0px !important;}\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1495807033004{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet \u00e0 propos de sa musique pour le jeu vid\u00e9o Warhammer 40,000: Eternal Crusade<\/a>. Global News, 13 novembre, 2015<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674816803{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495676617765{border-left-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-left-color: #ffffff !important;border-left-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=ZXuW2x_yVPY\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1495806982389{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue avec Maxime Goulet \u00e0 propos de\u00a0son oeuvre Chocolats Symphoniques<\/a>. Global News, 14 novembre, 2014.<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674856689{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1495674796399{border-right-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-right-color: #ffffff !important;border-right-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=C9XX2qiSCKo\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1520559847090{padding-bottom: 0px !important;}\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1520559927291{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Entrevue\u00a0avec Maxime Goulet \u00e0 propos de son concert de musique\u00a0 de film lors des Rendez-vous Qu\u00e9b\u00e9cois du Cin\u00e9ma<\/a>.\u00a07 mars, 2013<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674816803{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1740078542924{border-left-width: 16px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #f1f1f1 !important;border-left-color: #ffffff !important;border-left-style: solid !important;}\u00a0\u00bb][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=9bVq3jG4Fs4″][vc_column_text css=\u00a0\u00bb.vc_custom_1495807294695{padding-top: 0px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;}\u00a0\u00bb]\n

Maxime Goulet pr\u00e9sente la performance interactive en concert de sa musique pour le jeu vid\u00e9o\u00a0Dungeon Hunter 2<\/a>, au Sommet international du jeu de Montr\u00e9al 2010 (MIGS).<\/p>\n[\/vc_column_text][vc_empty_space css=\u00a0\u00bb.vc_custom_1495674856689{background-color: #ffffff !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_column_text css=\u00a0\u00bb.vc_custom_1740076350082{padding-top: 25px !important;padding-right: 25px !important;padding-bottom: 25px !important;padding-left: 25px !important;background-color: #f1f1f1 !important;}\u00a0\u00bb] Entrevues et reportages Entrevues, reportages, pr\u00e9sentations et divers vid\u00e9o \u00e0 propos du travail de compositeur de Maxime Goulet.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\nEntrevues et reportages - Maxime Goulet<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/maximegoulet.com\/fr\/entrevues-et-reportages\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Entrevues et reportages - Maxime Goulet\" \/>\n<meta property=\"og:description\" content=\"[vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_column_text css=\u00a0\u00bb.vc_custom_1740076350082{padding-top: 25px !important;padding-right: 25px !important;padding-bottom: 25px !important;padding-left: 25px !important;background-color: #f1f1f1 !important;}\u00a0\u00bb] Entrevues et reportages Entrevues, reportages, pr\u00e9sentations et divers vid\u00e9o \u00e0 propos du travail de compositeur de Maxime Goulet.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column...\" \/>\n<meta property=\"og:url\" content=\"http:\/\/maximegoulet.com\/fr\/entrevues-et-reportages\/\" \/>\n<meta property=\"og:site_name\" content=\"Maxime Goulet\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-20T19:45:24+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture est.\">\n\t<meta name=\"twitter:data1\" content=\"8 minutes\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/maximegoulet.com\/#website\",\"url\":\"https:\/\/maximegoulet.com\/\",\"name\":\"Maxime Goulet\",\"description\":\"Classical Music & Video Game Composer\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/maximegoulet.com\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/maximegoulet.com\/fr\/entrevues-et-reportages\/#webpage\",\"url\":\"http:\/\/maximegoulet.com\/fr\/entrevues-et-reportages\/\",\"name\":\"Entrevues et reportages - 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