{"id":22104,"date":"2017-03-18T15:46:42","date_gmt":"2017-03-18T15:46:42","guid":{"rendered":"http:\/\/2017.maximegoulet.com\/?p=22104\/"},"modified":"2026-03-28T18:53:49","modified_gmt":"2026-03-28T18:53:49","slug":"histoire-de-peche","status":"publish","type":"post","link":"https:\/\/maximegoulet.com\/fr\/histoire-de-peche\/","title":{"rendered":"Histoire de p\u00eache"},"content":{"rendered":"[vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column width=\u00a0\u00bb2\/3&Prime;][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=oIeTFYXXQLU\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb16px\u00a0\u00bb][vc_raw_html]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[\/vc_raw_html][\/vc_column][vc_column width=\u00a0\u00bb1\/3&Prime;][vc_column_text css=\u00a0\u00bb.vc_custom_1774724015804{padding-top: 5px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 15px !important;background-color: #efefef !important;}\u00a0\u00bb]<em>\u00ab\u00a0Un divertissement \u00e0 la fois ludique et sonore, encadr\u00e9 par de vives \u00e9vocations du vent et de chants d\u2019oiseaux.\u00a0\u00bb<\/em><br \/>\n&#8211; <a href=\"https:\/\/myscena.org\/amanda-wong\/review-polish-gems-with-orchestre-classique-de-montreal\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ma Scena<\/a>, Amanda Wong<\/p>\n<p class=\"style22\"><em>\u00ab\u00a0Le plus original de la soir\u00e9e fut la cr\u00e9ation de Maxime Goulet. [&#8230;] Goulet a, une nouvelle fois, d\u00e9montr\u00e9 qu\u2019il n\u2019avait peur ni de la m\u00e9lodie, ni de la narration musicale. En cerise sur le g\u00e2teau, le clarinettiste Kornel Wolak se faisait acteur, dans une pi\u00e8ce habilement sc\u00e9naris\u00e9e.\u00a0\u00bb<\/em><br \/>\n<span class=\"style31\">&#8211; <a href=\"http:\/\/www.ledevoir.com\/culture\/musique\/401158\/concertsclassiques-bricolage\" target=\"_blank\" rel=\"noopener noreferrer\">Journal Le Devoir, <\/a><a href=\"http:\/\/www.ledevoir.com\/culture\/musique\/401158\/concertsclassiques-bricolage\" target=\"_blank\" rel=\"noopener noreferrer\">Christophe Huss<\/a><\/span><\/p>\n<p><em>\u00ab\u00a0La deuxi\u00e8me partie a d\u00e9but\u00e9 de bien divertissante mani\u00e8re avec Histoire de p\u00eache, \u00e9voquant avec fantaisie les p\u00e9rip\u00e9ties d\u2019une sortie de p\u00eache. [&#8230;] Les spectateurs ont mordu \u00e0 l\u2019hame\u00e7on lanc\u00e9 par le compositeur. Maxime nous a pris dans le filet de son imagination et a r\u00e9ussi \u00e0 capturer notre attention.\u00a0\u00bb<\/em><br \/>\n&#8211; <a href=\"https:\/\/atuvu.ca\/magazine-culturel\/critiques\/de-chopin-a-weinberg-ou-quand-la-passion-sexprime-en-musique-et-en-chanson\" target=\"_blank\" rel=\"noopener noreferrer\">Atuvu.ca<\/a>, Daniel Raymond<\/p>\n<p class=\"style22\"><em>\u00ab\u00a0Goulet\u2019s music is very listenable and narrative driven with this piece.\u00a0\u00bb<br \/>\n<\/em><span class=\"style31\">&#8211; <a href=\"http:\/\/ontarioartsreview.ca\/2014\/08\/12\/high-tea-and-enchanting-music\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ontario Arts Review<\/a><\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_column_text]\n<p class=\"style22\"><strong>Histoire de p\u00eache<\/strong> est un concerto\u00a0pour clarinette solo et orchestre \u00e0 cordes sous forme de th\u00e9\u00e2tre instrumetal. L&rsquo;\u0153uvre est inspir\u00e9e du roman am\u00e9ricain Le vieil homme et la mer, d&rsquo;Ernest Hemingway. Il ne s&rsquo;agit pas d&rsquo;une description litt\u00e9rale de cette c\u00e9l\u00e8bre histoire de p\u00eache, mais plut\u00f4t d&rsquo;une libre continuation de l&rsquo;histoire. Au del\u00e0 du roman d&rsquo;Hemingway, qu&rsquo;arrive-t-il au gar\u00e7on qui accompagnait le vieil homme? D\u00e9couvrez le jeune homme et la mer!<\/p>\n<p class=\"style22\"><strong>Instrumentation<\/strong>\u00a0(disponible en deux versions):<br \/>\n&#8211; Version pour clarinette solo et orchestre \u00e0 cordes<br \/>\n&#8211; Version pour clarinette solo, quatuor \u00e0 cordes et contrebasse et\/ou piano<\/p>\n<p class=\"style22\"><strong>Dur\u00e9e<\/strong>: 11 minutes<\/p>\n<p class=\"style22\"><strong>Suggestions d\u2019oeuvre compl\u00e9mentaires<\/strong>:<br \/>\n&#8211; Beethoven: Symphonie #6, \u00ab\u00a0Pastorale\u00a0\u00bb<br \/>\n&#8211; Copland:\u00a0Appalachian Spring + An Outdoor Overture + Billy the Kid<br \/>\n&#8211; Debussy: La Mer + Pr\u00e9lude \u00e0 l&rsquo;apr\u00e8s-midi d&rsquo;un faune<br \/>\n&#8211;\u00a0Borodin:\u00a0Dans les steppes de l&rsquo;Asie centrale<br \/>\n&#8211;\u00a0Respighi:\u00a0Les pins de Rome<br \/>\n&#8211;\u00a0Dvorak:\u00a0Dans la nature<br \/>\n&#8211;\u00a0Ravel: Une Barque sur l&rsquo;Ocean<br \/>\n&#8211; Sibelius: Symphonie #5<\/p>\n<p class=\"style22\"><strong>Commande<\/strong> de <a href=\"http:\/\/www.ocm-mco.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">l&rsquo;Orchestre de Chambre McGill<\/a> et leur directeur artistique\u00a0<a href=\"http:\/\/borisbrott.com\" target=\"_blank\" rel=\"noopener noreferrer\">Boris Brott<\/a>, dans le cadre d&rsquo;une r\u00e9sidence de composition.<\/p>\n<p class=\"style22\"><strong>D\u00e9di\u00e9e<\/strong> \u00e0 l&rsquo;ami et clarinettiste <a href=\"http:\/\/kornelwolak.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Kornel Wolak<\/a>.<\/p>\n<p class=\"style22\"><strong>Cr\u00e9ation<\/strong>: Le 25 f\u00e9vrier, 2014, par\u00a0<a href=\"http:\/\/kornelwolak.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Kornel Wolak<\/a>, <a href=\"http:\/\/www.ocm-mco.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">l&rsquo;Orchestre de Chambre McGill<\/a> et le chef <a href=\"http:\/\/borisbrott.com\" target=\"_blank\" rel=\"noopener noreferrer\">Boris Brott<\/a>, \u00e0 la Salle Bourgie, \u00e0 Montr\u00e9al.<\/p>\n<p><strong>Discographie:<\/strong> L&rsquo;oeuvre Histoire de p\u00eache, enregistr\u00e9e par l&rsquo;<a href=\"https:\/\/orchestre.ca\/\" target=\"_blank\" rel=\"noopener noreferrer\">Orchestre classique de Montr\u00e9al<\/a>\u00a0et <a href=\"http:\/\/kornelwolak.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Kornel Wolak<\/a>, sous la direction de <a href=\"http:\/\/www.jacqueslacombe.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Jacques Lacombe<\/a>, figure sur l\u2019album <a href=\"https:\/\/atmaclassique.com\/produit\/symphonie-de-la-tempete-de-verglas\/\" target=\"_blank\" rel=\"noopener noreferrer\">Symphonie de la temp\u00eate de verglas<\/a>, publi\u00e9 en 2023 par <a href=\"https:\/\/atmaclassique.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">ATMA Classique<\/a>.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb64px\u00a0\u00bb][vc_text_separator title=\u00a0\u00bbPerformances de Histoire de p\u00eache\u00a0\u00bb][vc_empty_space][vc_column_text]2026, Mar. 12 |\u00a0<a href=\"https:\/\/orchestre.ca\/\" target=\"_blank\" rel=\"noopener noreferrer\">Orchestre classique de Montr\u00e9al<\/a>, Kornel Wolak, Andrei Feher | Salle Pierre-Mercure, Montreal, QC, Canada<\/p>\n<p>2019, Juin 8 |\u00a0<a href=\"http:\/\/orchestrerenaissance.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Orchestre Renaissance de Longueuil<\/a>, Claudine Gamache, <a href=\"https:\/\/www.davidperreault.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">David Perault<\/a> | \u00c9glise Sacr\u00e9-Coeur, Longueuil, QC, Canada<br \/>\n2019, Mai 11 |\u00a0<a href=\"http:\/\/www.kamloopssymphony.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Kamloops Symphony Orchestra<\/a>,\u00a0<a href=\"http:\/\/www.dinagilbert.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Dina Gilbert<\/a>, Sally Arai | Sagebrush Theatre, Kamloops, BC, Canada<\/p>\n<p>2016, Juin 26 | <a href=\"http:\/\/www.filharmonia.lomza.pl\/\" target=\"_blank\" rel=\"noopener noreferrer\">Lomza Chamber Orchestra<\/a>,\u00a0Jan Milosz Zarzycki et\u00a0<a href=\"http:\/\/kornelwolak.com\/\">Kornel Wolak<\/a> | Diocesan Museum, Lomza, Pologne<br \/>\n2016,\u00a0Mai 14 | <a href=\"http:\/\/www.gtpo.ca\/\">Greater Toronto Philharmonic Orchestra<\/a>\u00a0et\u00a0<a href=\"http:\/\/kornelwolak.com\/\">Kornel Wolak<\/a> | Toronto, ON, Canada<\/p>\n<p>2014,\u00a0Oct. 30 | Loja Symphony Orchestra et\u00a0<a href=\"http:\/\/kornelwolak.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Kornel Wolak<\/a> | Loja, Ecuador<br \/>\n2014,\u00a0Ao\u00fbt 10 | <a href=\"https:\/\/nationalacademyorchestra.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">National Academy Orchestra of Canada<\/a>, Boris Brott et Kornel Wolak | Brott Music festival, Ancaster<br \/>\n2014,\u00a0Fev. 25 | <a href=\"https:\/\/ocm-mco.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">McGill Chamber Orchestra<\/a>, Boris Brott et Kornel Wolak | Bourgie Hall, Montreal (premi\u00e8re)[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]<a href=\"\/fr\/musique-classique\/\"><em><strong>&lt;&lt; Retourner \u00e0 la page principale de Musique classique <\/strong><\/em><\/a>[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row 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\u00e9vocations du vent et de chants d\u2019oiseaux.\u00a0\u00bb &#8211; Ma Scena, Amanda Wong \u00ab\u00a0Le&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[59],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.6.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Histoire de p\u00eache - Maxime Goulet<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/maximegoulet.com\/fr\/histoire-de-peche\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Histoire de p\u00eache - Maxime Goulet\" \/>\n<meta property=\"og:description\" content=\"[vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb 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